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Diego Rivera |
Even though Frida Kahlo and Diego Rivera were separated in November of
1938, they still kept in contact. Frida was preparing for her first one-woman
exhibition in New York City at the Julien Levy Gallery. Diego suggested
she meet Clare Boothe Luce, who was married to Time Magazine founder
Henry Luce. Diego gave Frida a letter of introduction to Clare.
In his book, "My Art, My Life," Diego recounted:
“I had imagined that Frida would find Mrs. Luce an interesting person
to know, but she didn’t take to her at all. She found her cold, brittle and
impenetrably defensive.”
Frida would meet Clare at her opening reception at the Levy Gallery on
November 1, 1938. This was twelve days after their mutual friend, Dorothy
Hale, died. Clare commissioned
Frida to paint a portrait of Dorothy.
Instead, Frida painted a haunting rendition of Dorothy falling to her death
from an apartment window at the Hampshire House on Central Park South.
Clare was outraged and wanted to destroy the
painting when she received
it. Fortunately, the painting survived some slight overpainting and nearly
twenty years in a storage facility. Today, the picture is not only hailed as
one of
Kahlo’s most brilliant paintings, but it has unraveled a fascinating
mystery about the life and death of Dorothy. Perhaps Diego’s words give
an interesting insight into why Frida intuitively painted what she felt instead
of what she was hired to do by the powerful Clare Luce?
We invite you to share your thoughts in the comments section below.