Diego Rivera |
In his book, "My Art, My Life," Diego recounted: “I had imagined that Frida would find Mrs. Luce an interesting person to know, but she didn’t take to her at all. She found her cold, brittle and impenetrably defensive.”
Frida would meet Clare at her opening reception at the Levy Gallery on November 1, 1938. This was twelve days after their mutual friend, Dorothy Hale, died. Clare commissioned Frida to paint a portrait of Dorothy. Instead, Frida painted a haunting rendition of Dorothy falling to her death from an apartment window at the Hampshire House on Central Park South.
Clare was outraged and wanted to destroy the painting when she received it. Fortunately, the painting survived some slight overpainting and nearly twenty years in a storage facility. Today, the picture is not only hailed as one of Kahlo’s most brilliant paintings, but it has unraveled a fascinating mystery about the life and death of Dorothy. Perhaps Diego’s words give an interesting insight into why Frida intuitively painted what she felt instead of what she was hired to do by the powerful Clare Luce?
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